مسرح الكلية - Shikhah

Theater is the father of the arts and the first since the days of the Greeks and Romans and his ability to synth between the various technical elements where theaters were the only means of artistic expression after the tracks of wrestling and racing. [1] [2] [3] The theater is a house of artists' houses Various forms of contemporary experimental theater emerged in the traditional form of the play with the beginning, the middle and the end. The Arab theater began with popular dramas, some of which continued until the end of the 19th century and the beginning of the twentieth century. The other part still offers such as Gypsy, Kaolian, Garakoz, Silhouette, Samaha, Maqamat, It was the reason for the emergence of other important plays such as: Al Akhbari wa Tammah, Male concerts, Mawliyah in the Arab Orient and the theater of the rug, Wonder Box, Mada'ah, Hakawati, Ismail Pasha in the Maghreb. The actual beginning of the Arab theater movement in Lebanon and Syria can be marked as follows 1847 Trying to debate the play (the miser) about Muller. Translation: Shibli Malat: The play (ammunition) about the French and the play (honor of emotions), Adeeb Ishaq: the play Racine (Andromak). Historical: It is the stage of the Arab national history through which he wrote (Najeeb Al Haddad) play (Hamdan), which derived from the life (Abdul Rahman inside). Social Realism: It was written in the writings of Gibran Khalil Gibran, who wrote a play (Arm of the General). In Damascus, before the Mandate, there were several cafés (for the hakwati), the other (for the karakos), the third (wrestling), the fourth (for the sword and the threshers) and the fifth The first quarter of the twentieth century saw the birth of a wide-ranging renaissance in most of the Arab countries in Sudan (1902), Tunisia (1908), Palestine (1917), Bahrain (1919), Algeria (1921) (1923), (Libya, 1925), (Kuwait - 1938) and Qatar and Jordan - the beginning of the seventies